Tetzaveh: the evolution of ritual
Tetzaveh: the evolution of ritual
Tetzaveh
deals with active ritual, people ( mostly Priests) doing things in
deference to Gd.
In
the previous parsha, a structure centered around the Tablets that Moses brought
down from Sinai was described. The altar, the sacrificial place, is presented
as an addendum to the courtyard ( the annex) to this shrine. The ritual aspect served the archival.
The
first sentences in Tetzaveh instruct the
people to provide pure olive oil that the Priest uses to light the
menorah/candelabra every evening. An interaction of sponsors (the taxed people)
and the actor (the Kohen/priest) is established. This is completely in keeping
with the materials supplied until now for the the constructions described in
Teruma; and the source of materials for the priestly vestments described in Titzaveh.
Up until now, there was no human interaction with the temple and its
courtyard. The table, with the show-bread, implied that someone would eat
the matzoh on display; the menorah/candelabra implied that it
would be lit and illuminate the sanctuary; the altar in the courtyard suggest
that some form of burnt offering is coming. Now, the delegation of Aaron
and his descendants as those assigned to light the menorah is the beginning of Israel's
representative spirituality; The ritual as theater.
The
Priestly costume, which takes up most of the parsha, is a necessary part of
this process. The High Priest/Kohen gadol carries the names of their tribes, engraved
in gems, on his shoulders. The oraclular breastplate displays the
tribal names. These objects announce the Kohen Gadol's representative role. The priests
bring the concerns and sins of the people before Gd through ritual.
The
mishkan complex served two purposes. It was the repository for the
tablets with their numerous layers of protection. In the courtyard, the altar
stood. The public service on the altar (and the more hidden rituals surrounding
the menorah and show bread) were the scenes for action.
The
ritual lasted longer than the museum. In the second Temple, built by
Ezra and Nehemia during the Persian hegemony after the tablets had been
lost, the sacrificial rite continued. The hiatus in the sacrificial practice, lasting70
years (between the first and second temple), asserted the tie between the locus
of the temple, what had become holy spot, and the sacrificial rite. These
rituals could be performed only at the place where the temple had stood in
Jerusalem. The previous history of location independence, established by the
moveable Tabernacle, and reinforced by the move from Shilo to
Jerusalem, had been negated. Real estate had become pre-eminent.
Surviving as a people for
70 years without the animal sacrificial rite also weakened this ceremony’s hold
on the nation. There was now enough distance to question the process. Investing
the activity in a representative was not enough. The Talmud (Taanith 26(4)) describes a
democratization of the ritual; a method for public participation was added - the Ma'amodoth.
וְכִי
הֵיאַךְ קׇרְבָּנוֹ שֶׁל אָדָם קָרֵב וְהוּא אֵינוֹ עוֹמֵד עַל גַּבָּיו?
But how can a person’s
offering be sacrificed when he is not standing next to it?
Local, non-Cohanic
representatives, along with Levites in Jerusalem, were now a part of the ritual…for as long as it lasted.
The representatives of the people would fast and read from Genesis at the time
of the sacrifices. Time became the detail that prescribed ritual.
This was a gateway to prayer
When the second temple was destroyed, only (private) prayer and the congregational reading of the Torah remained as devotional acts. The meaning of the temple and its rites were distilled to these activities at the edge of comprehensibility. We are left with a remnant of the process that captures its essence.
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